JÖRG LINDENMAIER – ELECTROACOUSTIC MUSIC
List of Works
Title | HH:MM:SS | Ch | Year | Comment |
D-E-A-D | 10:11:48 | 4 | 1996 | Karlsruhe |
Cultural Noise | 00:22:37 | 2 | " | ", orig. 22:46 |
10 Piktogramme | 00:23:17 | 2 | " | " |
VZG | 00:09:49 | 2 | " | " |
Ephemer | 00:15:43 | 2 | " | " |
Ozean | 00:20:59 | 2 | " | " |
Financial Times | 00:22:05 | 2 | " | " |
No Comment | 00:08:22 | 2 | " | " |
Untitled #1 | 01:05:38 | 4 | 1997 | " |
Floor | 00:20:14 | - | " | ", for Computer Piano, rev. Berlin 2007 |
März 20 1997 | 00:59:57 | 2 | " | ", rev. 1998 |
TG | 00:10:04 | 2 | " | " |
tonowhere | 00:38:49 | 2 | " | ", rev. Köln 2002 |
sinework III | 02:48:32 | 2 | " | " |
Science Fiction | 00:03:14 | 2 | 1998 | " |
Modell | 00:05:57 | 4 | " | " |
L'inertie polaire | 00:20:28 | 32 | " | ", rev. Berlin 2005 |
Lichtblau/Orange | 00:09:41 | 1 | " | " |
Title Defender | 00:08:03 | 2 | " | " |
Storyteller | 00:26:07 | 1 | " | " |
Mock | 01:01:42 | 2 | " | " |
RGB | 00:17:56 | 2 | " | ", with Yunchul Kim |
Television | 00:12:09 | 2 | " | " |
Waiting | 00:01:07 | 2 | " | " |
12/18/98 | 00:22:20 | 2 | " | " |
Buffer~ | 00:04:00 | 2 | 1999 | ", with Yunchul Kim |
Falling Down | 01:34:24 | 2 | " | " |
Vanishing Point | 00:19:51 | 2 | " | " |
Valaisanne | 00:08:17 | 2 | " | " |
Two Red... | 00:15:00 | 4 | " | " |
Sorting | 00:14:30 | 1 | " | " |
Insomnia | 00:06:00 | 1 | " | " |
Converse | 00:07:43 | 1 | " | " |
State | 00:11:00 | 8 | " | " |
Stack Overflow | 00:06:45 | 2 | " | Cologne |
Inner Race | 00:40:00 | 1 | " | " |
X | 00:09:13 | 2 | " | " |
Bridge | 00:15:29 | 2 | 2000 | " |
Dial | 00:11:33 | 8 | " | " |
Sonar | 00:14:00 | 8 | " | " |
Port | 00:19:21 | 2 | " | " |
oh_no | 00:07:10 | 2 | " | " |
L | 01:02:07 | 2 | " | " |
Mental Suffocation | 00:12:00 | 2 | " | " |
Celluar Machine | 01:02:58 | 1 | " | " |
Thoughts | 01:03:53 | 1 | 2001 | " |
Amok | 00:07:15 | 1 | " | " |
Rolandseck | 00:16:53 | 4 | " | " |
Face | 00:04:07 | 2 | " | " |
Radio Longing | 00:04:59 | 2 | 2002 | " |
Brave New World | 00:15:21 | 2 | " | " |
Drifting | 00:12:43 | 1 | " | " |
Rhine Music | 00:26:00 | 2 | " | " |
And the Gods Made Love | 00:06:00 | 1 | " | ", WDR |
p_50 | 00:15:33 | 2 | " | " |
HN | 00:03:05 | 1 | " | " |
M. Dora | 00:07:42 | 1 | " | " |
Whiteout | 00:20:15 | 1 | " | " |
Istanbul | 00:45:58 | 2 | 2003 | " |
Continuity Illusions | 00:14:48 | 4 | " | ", WDR, LMS |
Die Flucht aus der Zeit | 00:05:37 | 2 | " | ", rev. 2007 |
In Heaven | 00:14:59 | 2 | 2004 | " |
Das Turing Projekt | 00:51:03 | 5.1 | " | ", WDR, LMS, 5.1 Mix 2011 |
Abhandlung | 00:08:46 | 1 | 2005 | Budapest/Berlin |
CWP | 00:12:01 | 2 | " | Berlin |
mpulse | 00:06:59 | n>1 | " | " |
Introspection | 05:53:35 | 2 | " | " |
Icefloes | 00:02:11 | 2 | 2006 | " |
Gruen44 | 00:15:18 | 4 | " | " |
Touch | 00:06:00 | 2 | " | " |
Vivax | 00:03:00 | n | 2007 | " |
Hindmarsh–Rose | 00:14:32 | 4 | " | " |
Julia | 00:03:00 | 8 | " | " |
Thymos | 00:19:49 | 4 | " | " |
Escape | 00:04:27 | n | " | ", rev. Cologne 2011 |
Crush | 00:06:54 | n | " | " |
Aporie I, II, III | 00:11:58 | 8 | " | " |
AS WE GO | 00:10:07 | 4 | 2008 | " |
Abrasion | 00:13:42 | 4 | " | " |
Blei | 00:03:27 | 4 | 2009 | " |
NULL | 00:13:01 | 4 | " | " |
Exospection | 00:35:57 | 2 | " | " |
London Sep 2009 | 00:20:01 | 2 | " | " |
Von den Bergen | 00:11:42 | 2 | " | " |
Texts for Nothing VIII | 00:12:46 | 4 | 2010 | "/Unterheinriet |
Simultan | 00:16:40 | 5 | " | "/" |
Foris | 00:16:45 | 4 | " | " |
Electric Fence | 00:11:05 | 4 | " | Unterheinriet |
No.89/I–IV | 00:05:44 | 4 | " | " |
Ameisen | 00:03:55 | 6 | " | Berlin, rev. Heilbronn 2021 |
Gruppe 47 | 00:08:30 | 2 | 2011 | " |
Holzwege | 00:13:35 | 4 | " | " |
Aktis | 00:08:26 | 12 | " | " |
Märkische Landschaft | 00:07:06 | 8 | " | " |
Pica Pica | 00:15:01 | 8 | " | "/Unterheinriet |
Waldbach | 00:04:30 | 7 | " | "/Hallstatt |
The Long Reply | 00:07:31 | 8 | 2012 | " |
Trace | 00:13:52 | 1 | " | " |
Gedankenflucht | 00:21:32 | 4 | " | " |
XOR | 00:53:28 | 1 | " | " |
Stillstehend | 00:05:48 | 4 | " | " |
Falling Stars | 00:06:45 | 4 | " | " |
Ivory | 00:04:28 | 6 | " | "/Unterheinriet |
Scapeland | 00:20:00 | 4 | " | " |
Durchquerungen der Zeit | 00:06:04 | 4 | 2013 | "/Unterheinriet |
Strata | 00:09:34 | 2 | " | " |
Vier Sätze | 00:04:06 | 2 | " | " |
Interstices | 00:45:00 | 5 | " | " |
307 | 00:05:07 | 2 | " | " |
Force | 00:12:00 | 1 | 2014 | " |
Blicke ins Nichts | 00:10:33 | 4 | " | " |
Mono | 00:46:28 | 4 | " | "/Unterheinriet |
Horizon | 00:51:00 | 4 | 2016 | Unterheinriet |
August | 00:05:00 | 2 | " | " |
Flash | 00:01:52 | 2 | " | Vorderbüchelberg |
Fever | 00:25:31 | 6 | 2017 | Unterheinriet, with Jens Lüstraeten (Video) |
Purification | 00:09:59 | 4 | " | Maulbronn |
Struct | 00:29:14 | 4 | " | Heilbronn |
Bodenlos | 00:14:40 | 4 | 2018 | " |
Millefleurs | 00:06:12 | 4 | " | " |
Spiral | 00:10:32 | 4 | " | " |
Entropia | 00:03:00 | 2 | " | ", DEGEM CD 16 ↗ |
Miniatur 1–4 | 00:05:09 | 2 | " | " |
Rhe | 00:06:11 | 2 | " | " |
Episode | 00:08:20 | 4 | " | " |
UHT | 00:07:10 | 4 | " | " |
3n+1 | 00:03:52 | 4 | 2019 | " |
Ask the Dust | 00:05:00 | 5 | " | " |
PLF | 00:01:30 | 2 | " | " |
Gefüge I | 00:05:37 | 4 | " | " |
Cortex | 00:08:31 | 4 | " | " |
Varia | 00:05:06 | 8 | " | " |
Immersed | 00:08:03 | 4 | " | " |
Gefüge II | 00:06:38 | 4 | " | " |
Nocturne | 00:14:44 | 2 | " | " |
Trias | 00:07:50 | 4 | 2020 | " |
sinework IV | 00:19:58 | 12 | " | " |
Januar | 00:05:30 | 4 | " | " |
Felder | 00:11:34 | 16 | " | " |
Lehre vom Zerfall | 00:03:03 | 7 | " | ", DEGEM CD 18 ↗ |
Untitled #2 | 00:18:26 | 4 | " | " |
sinework V | 00:15:20 | 12 | " | " |
Breaking Glass | 00:02:26 | 4 | " | " |
Lines | 00:04:00 | 4 | " | ", with Video |
Finsterrot | 00:11:00 | 2 | " | " |
Stück in A-Moll | 00:03:32 | 2 | " | " |
Idle | 00:05:50 | 2 | " | " |
Cascade | 00:06:40 | 4 | " | " |
Die Lebenden | 00:02:02 | 4 | " | " |
Harbor | 00:05:00 | 2 | 2021 | " |
Simple Materials | 00:03:35 | 8 | " | " |
BUZZ | 00:01:01 | 4 | " | " |
From Afar | 00:08:00 | 12 | " | " |
Short Cuts | 00:06:04 | 4 | " | " |
Exhausted | 00:05:00 | 2 | " | " |
Outer Layer | 00:03:58 | 2 | " | ", with Video |
Köpferbrunnen | 00:03:20 | 2 | " | " |
Insania | 00:05:10 | 6 | " | " |
Desert | 00:04:00 | 4 | 2022 | " |
Untitled #3 | 00:08:15 | 4 | " | " |
Miniatur 5 | 00:02:18 | 4 | " | " |
Passé I, II, III | 00:05:54 | 6 | " | "/Heidelberg |
Shiftings | 00:08:00 | 2 | " | " |
Warped Land | 00:10:12 | 4 | " | " |
Machine | 00:05:23 | 2 | " | " |
Six Movements | 00:02:48 | n | " | " |
sinework VI | 00:04:00 | 1 | " | " |
Zeitverschüttung | 00:10:29 | 2 | 2023 | " |
Textur I-IV | 00:03:18 | 2 | " | " |
Untitled #4 | 00:04:25 | 5 | " | " |
WEISS | 00:01:00 | 2 | " | " |
Miniatur 6-10 | 00:01:34 | 2 | " | " |
Nothing | 00:00:36 | - | " | " |
Eight Waves | 00:01:36 | 2 | " | " |
Monolog | 00:07:00 | 2 | " | " |
Shots | 00:04:17 | 4 | " | " |
Abwesen | 00:04:00 | 4 | 2024 | " |