Jörg Lindenmaier
Electroacoustic Music
Selected Audio Documentation Graphic Scores About
List of Works
| Title | HH:MM:SS | Ch | Year | Comment |
| D-E-A-D | 10:11:48 | 4 | 1996 | Karlsruhe |
| CULTURAL NOISE | 00:22:37 | 2 | " | ", orig. 22:46 |
| 10 PIKTOGRAMME | 00:23:17 | 2 | " | " |
| VZG | 00:09:49 | 2 | " | " |
| EPHEMER | 00:15:43 | 2 | " | " |
| OZEAN | 00:20:59 | 2 | " | " |
| FINANCIAL TIMES | 00:22:05 | 2 | " | " |
| NO COMMENT | 00:08:22 | 2 | " | " |
| UNTITLED #1 | 01:05:38 | 4 | 1997 | " |
| FLOOR | 00:20:14 | - | " | ", for Computer Piano, rev. Berlin 2007 |
| MÄRZ 20 1997 | 00:59:57 | 2 | " | ", rev. 1998 |
| TG | 00:10:04 | 2 | " | " |
| TONOWHERE | 00:38:49 | 2 | " | ", rev. Köln 2002 |
| SINEWORK III | 02:48:32 | 2 | " | " |
| SCIENCE FICTION | 00:03:14 | 2 | 1998 | " |
| MODELL | 00:05:57 | 4 | " | " |
| L'INERTIE POLAIRE | 00:20:28 | 32 | " | ", rev. Berlin 2005 |
| LICHTBLAU/ORANGE | 00:09:41 | 1 | " | " |
| TITLE DEFENDER | 00:08:03 | 2 | " | " |
| STORYTELLER | 00:26:07 | 1 | " | " |
| MOCK | 01:01:42 | 2 | " | " |
| RGB | 00:17:56 | 2 | " | ", with Yunchul Kim |
| TELEVISION | 00:12:09 | 2 | " | " |
| WAITING | 00:01:07 | 2 | " | " |
| 12/18/98 | 00:22:20 | 2 | " | " |
| BUFFER~ | 00:04:00 | 2 | 1999 | ", with Yunchul Kim |
| FALLING DOWN | 01:34:24 | 2 | " | " |
| VANISHING POINT | 00:19:51 | 2 | " | " |
| VALAISANNE | 00:08:17 | 2 | " | " |
| TWO RED... | 00:15:00 | 4 | " | " |
| SORTING | 00:14:30 | 1 | " | " |
| INSOMNIA | 00:06:00 | 1 | " | " |
| CONVERSE | 00:07:43 | 1 | " | " |
| STATE | 00:11:00 | 8 | " | " |
| STACK OVERFLOW | 00:06:45 | 2 | " | Cologne |
| INNER RACE | 00:40:00 | 1 | " | " |
| X | 00:09:13 | 2 | " | " |
| BRIDGE | 00:15:29 | 2 | 2000 | " |
| DIAL | 00:11:33 | 8 | " | " |
| SONAR | 00:14:00 | 8 | " | " |
| PORT | 00:19:21 | 2 | " | " |
| OH_NO | 00:07:10 | 2 | " | " |
| L | 01:02:07 | 2 | " | " |
| MENTAL SUFFOCATION | 00:12:00 | 2 | " | " |
| CELLUAR MACHINE | 01:02:58 | 1 | " | " |
| THOUGHTS | 01:03:53 | 1 | 2001 | " |
| AMOK | 00:07:15 | 1 | " | " |
| ROLANDSECK | 00:16:53 | 4 | " | " |
| FACE | 00:04:07 | 2 | " | " |
| RADIO LONGING | 00:04:59 | 2 | 2002 | " |
| BRAVE NEW WORLD | 00:15:21 | 2 | " | " |
| DRIFTING | 00:12:43 | 1 | " | " |
| RHINE MUSIC | 00:26:00 | 2 | " | " |
| AND THE GODS MADE LOVE | 00:06:00 | 1 | " | ", WDR |
| P_50 | 00:15:33 | 2 | " | " |
| HN | 00:03:05 | 1 | " | " |
| M. DORA | 00:07:42 | 1 | " | " |
| WHITEOUT | 00:20:15 | 1 | " | " |
| ISTANBUL | 00:45:58 | 2 | 2003 | " |
| CONTINUITY ILLUSIONS | 00:14:48 | 4 | " | ", WDR, LMS |
| DIE FLUCHT AUS DER ZEIT | 00:05:37 | 2 | " | ", rev. 2007 |
| IN HEAVEN | 00:14:59 | 2 | 2004 | " |
| DAS TURING PROJEKT | 00:51:03 | 5.1 | " | ", WDR, LMS, 5.1 Mix 2011 |
| ABHANDLUNG | 00:08:46 | 1 | 2005 | Budapest/Berlin |
| CWP | 00:12:01 | 2 | " | Berlin |
| MPULSE | 00:06:59 | n>1 | " | " |
| INTROSPECTION | 05:53:35 | 2 | " | " |
| ICEFLOES | 00:02:11 | 2 | 2006 | " |
| GRUEN44 | 00:15:18 | 4 | " | " |
| TOUCH | 00:06:00 | 2 | " | " |
| VIVAX | 00:03:00 | n | 2007 | " |
| HINDMARSH–ROSE | 00:14:32 | 4 | " | " |
| JULIA | 00:03:00 | 8 | " | " |
| THYMOS | 00:19:49 | 4 | " | " |
| ESCAPE | 00:04:27 | n | " | ", rev. Cologne 2011 |
| CRUSH | 00:06:54 | n | " | " |
| APORIE I, II, III | 00:11:58 | 8 | " | " |
| AS WE GO | 00:10:07 | 4 | 2008 | " |
| ABRASION | 00:13:42 | 4 | " | " |
| BLEI | 00:03:27 | 4 | 2009 | " |
| NULL | 00:13:01 | 4 | " | " |
| EXOSPECTION | 00:35:57 | 2 | " | " |
| LONDON SEP 2009 | 00:20:01 | 2 | " | " |
| VON DEN BERGEN | 00:11:42 | 2 | " | " |
| TEXTS FOR NOTHING VIII | 00:12:46 | 4 | 2010 | "/Unterheinriet |
| SIMULTAN | 00:16:40 | 5 | " | "/" |
| FORIS | 00:16:45 | 4 | " | " |
| ELECTRIC FENCE | 00:11:05 | 4 | " | Unterheinriet |
| NO.89/I–IV | 00:05:44 | 4 | " | " |
| AMEISEN | 00:03:55 | 6 | " | Berlin, rev. Heilbronn 2021 |
| GRUPPE 47 | 00:08:30 | 2 | 2011 | " |
| HOLZWEGE | 00:13:35 | 4 | " | " |
| AKTIS | 00:08:26 | 12 | " | " |
| MÄRKISCHE LANDSCHAFT | 00:07:06 | 8 | " | " |
| PICA PICA | 00:15:01 | 8 | " | "/Unterheinriet |
| WALDBACH | 00:04:30 | 7 | " | "/Hallstatt |
| THE LONG REPLY | 00:07:31 | 8 | 2012 | " |
| TRACE | 00:13:52 | 1 | " | " |
| GEDANKENFLUCHT | 00:21:32 | 4 | " | " |
| XOR | 00:53:28 | 1 | " | " |
| STILLSTEHEND | 00:05:48 | 4 | " | " |
| FALLING STARS | 00:06:45 | 4 | " | " |
| IVORY | 00:04:28 | 6 | " | "/Unterheinriet |
| SCAPELAND | 00:20:00 | 4 | " | " |
| DURCHQUERUNGEN DER ZEIT | 00:06:04 | 4 | 2013 | "/Unterheinriet |
| STRATA | 00:09:34 | 2 | " | " |
| VIER SÄTZE | 00:04:06 | 2 | " | " |
| INTERSTICES | 00:45:00 | 5 | " | " |
| 307 | 00:05:07 | 2 | " | " |
| FORCE | 00:12:00 | 1 | 2014 | " |
| BLICKE INS NICHTS | 00:10:33 | 4 | " | " |
| MONO | 00:46:28 | 4 | " | "/Unterheinriet |
| HORIZON | 00:51:00 | 4 | 2016 | Unterheinriet |
| AUGUST | 00:05:00 | 2 | " | " |
| FLASH | 00:01:52 | 2 | " | Vorderbüchelberg |
| FEVER | 00:25:31 | 6 | 2017 | Unterheinriet, with Jens Lüstraeten (Video) |
| PURIFICATION | 00:09:59 | 4 | " | Maulbronn |
| STRUCT | 00:29:14 | 4 | " | Heilbronn |
| BODENLOS | 00:14:40 | 4 | 2018 | " |
| MILLEFLEURS | 00:06:12 | 4 | " | " |
| SPIRAL | 00:10:32 | 4 | " | " |
| ENTROPIA | 00:03:00 | 2 | " | ", DEGEM CD 16 |
| MINIATUR 1–4 | 00:05:09 | 2 | " | " |
| RHE | 00:06:11 | 2 | " | " |
| EPISODE | 00:08:20 | 4 | " | " |
| UHT | 00:07:10 | 4 | " | " |
| 3N+1 | 00:03:52 | 4 | 2019 | " |
| ASK THE DUST | 00:05:00 | 5 | " | " |
| PLF | 00:01:30 | 2 | " | " |
| GEFÜGE I | 00:05:37 | 4 | " | " |
| CORTEX | 00:08:31 | 4 | " | " |
| VARIA | 00:05:06 | 8 | " | " |
| IMMERSED | 00:08:03 | 4 | " | " |
| GEFÜGE II | 00:06:38 | 4 | " | " |
| NOCTURNE | 00:14:44 | 2 | " | " |
| TRIAS | 00:07:50 | 4 | 2020 | " |
| SINEWORK IV | 00:19:58 | 12 | " | " |
| JANUAR | 00:05:30 | 4 | " | " |
| FELDER | 00:11:34 | 16 | " | " |
| LEHRE VOM ZERFALL | 00:03:03 | 7 | " | ", DEGEM CD 18 |
| UNTITLED #2 | 00:18:26 | 4 | " | " |
| SINEWORK V | 00:15:20 | 12 | " | " |
| BREAKING GLASS | 00:02:26 | 4 | " | " |
| LINES | 00:04:00 | 4 | " | ", with Video |
| FINSTERROT | 00:11:00 | 2 | " | " |
| STÜCK IN A-MOLL | 00:03:32 | 2 | " | " |
| IDLE | 00:05:50 | 2 | " | " |
| CASCADE | 00:06:40 | 4 | " | " |
| DIE LEBENDEN | 00:02:02 | 4 | " | " |
| HARBOR | 00:05:00 | 2 | 2021 | " |
| SIMPLE MATERIALS | 00:03:35 | 8 | " | " |
| BUZZ | 00:01:01 | 4 | " | " |
| FROM AFAR | 00:08:00 | 12 | " | " |
| SHORT CUTS | 00:06:04 | 4 | " | " |
| EXHAUSTED | 00:05:00 | 2 | " | " |
| OUTER LAYER | 00:03:58 | 2 | " | ", with Video |
| KÖPFERBRUNNEN | 00:03:20 | 2 | " | " |
| INSANIA | 00:05:10 | 6 | " | " |
| DESERT | 00:04:00 | 4 | 2022 | " |
| UNTITLED #3 | 00:08:15 | 4 | " | " |
| MINIATUR 5 | 00:02:18 | 4 | " | " |
| PASSÉ I, II, III | 00:05:54 | 6 | " | "/Heidelberg |
| SHIFTINGS | 00:08:00 | 2 | " | " |
| WARPED LAND | 00:10:12 | 4 | " | " |
| MACHINE | 00:05:23 | 2 | " | " |
| SIX MOVEMENTS | 00:02:48 | n | " | " |
| SINEWORK VI | 00:04:00 | 1 | " | " |
| ZEITVERSCHÜTTUNG | 00:10:29 | 2 | 2023 | " |
| TEXTUR I-IV | 00:03:18 | 2 | " | " |
| UNTITLED #4 | 00:04:25 | 5 | " | " |
| WEISS | 00:01:00 | 2 | " | " |
| MINIATUR 6-10 | 00:01:34 | 2 | " | " |
| NOTHING | 00:00:36 | - | " | " |